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「未知星球」(「PLANET UNKNOWN」)是中国传媒大学动画与数字艺术学院 2016 毕业设计展上的压轴作品,其画面之精美、效果之复杂、完成度之高,很难让我们相信这部作品竟然是由一个人完成的! 截至目前,该作品以及荣国国内外重要影像节奖项近 10 项以及 Vimeo Staff Picks。 At the end of 21st century, mankind were facing global resource depletion. Space Rovers were sent out to find potential inhabitable planets. Credits: Written & Directed by - Shawn Wang Modelling, Texturing, Animation, Compositing & Editing - Shawn Wang Music & Sound Design by - Echoic Audio Composer - Sam Foster Sound Design by - Tom Gilbert & David Johnston Special Thanks to - Evolutions Re-recording Mixer - Will Norie Faculty Producer - Xinyuan Huang Faculty Adviser - Yucheng Huang Special Thanks to System Advisers - Horizon Bian / Sicong Wang / Jiawei Cao Festivals: 01. Burbank International Film Festival - Best Animated Short 02. Korea Independent Animation Festival - Official Selection 03. Imaginaria Film Festival - Official Selection 04. LA Shorts Fest - Official Selection 05. Oaxaca Film Festival - Official Selection 06, Los Angeles CineFest - Official Selection 07. Lisbon International Film Festival - Official Selection 08. China Animation & Comic Competition Golden Dragon Award - Official Selection Links: Official Website: PlanetUnknownFilm.com Facebook Page: facebook.com/PlanetUnknownFilm IMDb: imdb.com/title/tt5850826 Echoic Audio: echoicaudio.com /* I had been working full time on Planet Unknown from July 2015 to June 2016. It was a passion project as well as my graduation thesis film at Communication University of China. This 11-month journey was very challenging, but it was a perfect learning opportunity as well. The idea started back in 2014 when Interstellar was released. I was deeply impressed by the movie and was inspired by the two robots TARS and CASE. The idea of intellectual robots exploring space developed from there. Other inspirations include Pixar movies like WALL-E and Toy Story, as well as CHAPPiE, NASA documentaries about Mars Rover Curiosity, and short films by individuals like Alex Roman’s The Third & The Seventh, Richard Mans’ Abiogenesis, Erik Wernquist’s Wanderers, Alf Lovvold’s Dawn of the Stuff, and so many more. Echoic Audio, one of the UK's leading music & sound design studios, joined this adventure with epic cinematic score and detailed sound design which catapulted the film to a new level that I had never imagined. This project pushed me to do what I never thought I could do. However, it also keeps punching me in the face and shows me how limited my skills are. There are still tons of problems in the making that I can't figure out even now. Thanks to everyone for the support along the way. The new adventure begins... */
2016年9月24日 1066
2:00
APEC全球创新者大会开场视频 当场景放大到原来的几十倍的时候,那也就意味着我们的灯光,也就是最重要的道具就要变得更大更多。于是我们开始前期创意的策划,那个时间刚好赶上北京最热的时候,而且公司空调坏了,我们一行人只能到附近咖啡馆避难,边想创意边睡觉...哈哈,是真的...我们花了大概一周的时间把创意定下来,并和客户讲解。这里插一句,客户兼职是甲方典范,沟通非常顺畅毫无阻力,能让我们团队在非常自由的创作环境下完成创意。 创意敲定之后接下来就是购买灯了,说句实话,这部分是我最不想进行,因为是最头痛的部分,其实论创意,我们的并不会输给国外的光绘团队,很大一部分是差在灯光上,因为他们可以自己制作光源,而我们没有这个预算和条件。后来在多次的实地取景之后,以及跟客户沟通,我们决定用三维辅助光影涂鸦的方式进行制作,比如角色还有一些道具我们用三维制作,剩下的都用光影涂鸦来表现。首先我承认这在很大的程度上会降低制作的难度,但是这毕竟是个商业项目,我们必须赶在大会的开幕式前仅有的一个月内完成。 这些前期准备进行了一个多月,紧接着就是开始拍摄了,拍摄的场地是在北京将台路附近的一个上世纪废弃粮仓,走进去马上就感受到五六十年代的气息。这次我们也是动员非常多的人来帮忙,在此感谢大家。拍摄是非常艰苦的过程,每天我们三四点左右到场馆,一直忙到第二天五六点,然后回家睡觉,醒了继续。不过过程还是很开心的,我们还专门为这次制作剪了一段十几分钟的花絮,感兴趣的朋友可以看看,花絮记录了我们从前期到大会开幕的全过程。 最后总结一下,这次我们团队真的是花了很大的精力在这个片子上边,特别是最后的一周,基本保持每天只睡五个小时,剩下的时间全都在赶片子,真的很感谢所有为这个片子付出的人,谢谢大家!我相信在这次片子之后,我们将会是一个质的飞越! 本片由APEC中国工商理事会出品 北京璀璨星空文化发展有限公司制作
2015年10月13日 919