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A film by Aeyaz ( Direction, Cinematography, Edit & Grade : Aeyaz ( Sound Design : Rahul Prabhakaran ( Music : Ryan Taubert (Anamog We wish it was never light) Narration : Alan Watts (Recording from 1970s) _____________________ Varanasi, The spiritual capital of India - a place where people come from all over the country to breathe their last, and immerse the ashes in the holy Ganges for the beginning of a new life. A visit to Varanasi has always been in my bucket list, and being able to film there was like an icing on the cake. Honestly, words fail to describe what I have seen while on this epic trip with Photowalk Dubai. No wonder Varanasi is called the "City of Life". Simply love this place. And this is my attempt to give you a sense of what it was like to experience the amazing "Varanasi" and the mysterious vicious cycle of life and death... "Varanasi - Beyond Life" - A personal project shot, edited and directed by me. Have put my heart and soul into it. Enjoy. Like. Share!!! _____________________ Completely shot on Sony A7s. Lens : Mainly ZEISS Batis 2/25 and Sony 70-200. Plus few shots with Canon 24-105 and Samyang 35mm T1.5 _____________________ Transcript: There really isn’t anything radically wrong with being sick or with dying. We can’t say that it’s a good thing for everything to go on living. In a very simple demonstration that if we enable everybody to go on living, we overcrowd ourselves. So therefore, one person who dies in a way is honourable because he’s making room for others… It’s a far more amusing arrangement for nature to continue the process of life through different individuals then it is always with the same individual, because as each new individual approaches life is renewed. And one remembers how fascinating the most ordinary everyday things are to a child, because they see them all as marvellous. It is not, therefore, natural for us to wish to prolong life indefinitely. But we live in a culture where it has been rubbed into us in every conceivable way that to die is a terrible thing. Alan Watts
A cinematic poem about the world-changing power of invention, the short film Escape is the latest example of animated storytelling that showcases state-of-the-art Dolby technologies. Combining techniques such as miniatures and animation with the spectacular imaging of Dolby Vision and the moving audio of Dolby Atmos, Escape invites the audience to imagine and experience a joyous vision of the future. It is a story of persistence and passion that is intended to inspire individuals to never give up on their hopes and dreams. After crash-landing on a desolate planet, a lone space explorer must find a way to make her new home habitable. The teenage heroine is an older version of the central character in our Emmy award–winning film, Silent, known there as “the Kid.” This intrepid character displays courage, passion, determination, and curiosity as she transforms the barren landscape she has found into a beautiful planet. Singer Imogen Heap developed an original soundtrack that wraps the audience in Dolby Atmos sound, unveiling the lead character’s changing emotions as she faces the challenges of a dark, disturbed landscape and persists to transform it into a place of joy and delight. Credits:  DIRECTORS Limbert Fabian Brandon Oldenburg EXECUTIVE PRODUCERS Lampton Enochs Vince Voron PRODUCERS Trish Farnsworth­Smith Angus McGilpin ASSOCIATE PRODUCER Wendell Riley EDITOR Calvin O’Neal Jr. MUSIC by Imogen Heap SOUND SCORE by Nick Ryan TECHNICAL ASSISTANCE by Alexis Michallek AUDIO MIX TECHNICAL LEAD Matt Desborough Jurgen Scharpf RE­RECORDING MIXER Adam Daniels Graham Daniels SOUND SERVICES Point 1 Post Learn more about Dolby Laboratories To purchase MagicMe by Imogen Heap Like us on Facebook Follow us on Twitter
The earthquake of M5.8, the largest on the Korean Peninsula, occurred in Korea, which was called the "Earthquake Safety Zone," in 2016. Gyeongju City suffered a great deal of damage due to the ineffectiveness of the Korean government and the insecurity of safety. By the year 2017, there have been about 500 aftershocks, and Koreans are living in fear of an earthquake that will happen anytime soon. Magnitude Rituals is an image of praying that no earthquake will happen in Korea. The former Korean peninsula country, which was a farming country, had a ritual to pray for rain in the sky every drought season. In this regard, this work expresses a ritual to wish an earthquake not to happen. The image consists of two frames. The image on the left represents the progress of the ritual, and the image on the right represents the earthquake/progression of the earthquake where the value of the graph representing the earthquake converges to zero and the process of the earthquake is reversed. What I wanted to pursue in my work was the communication of messages using the contrast of Korean traditional and shamanic images and sophisticated mathematical graphics. On the surface, it appears to be unrelated images, but as the ritual process progresses, it expresses that the figure indicating the earthquake in the graph subsides, and the audience will be able to gradually understand and appreciate the images. ‘지진안전지대’라고 불리던 한국에 2016년 경주에서 한반도 최대 규모 M5.8의 지진이 발생하였다. 한국 정부의 미숙한 대처와 안전불감증의 분위기 속에 경주시는 큰 피해를 보았다. 2017년 현재까지 500여 차례의 여진이 발생하면서, 한국 국민은 언제 일어날지 모르는 지진을 두려워하며 살고 있다. 지진영제(地震禜祭)는 대한민국에서 더는 지진이 일어나지 않길 기원하는 제사를 그린 영상이다. 농본 국가였던 대한민국 이전 한반도 국가는 가뭄 시기마다 하늘에 비를 기원하는 제사를 지냈다. 이에 착안하여 이 작업은 지진이 일어나지 않기를 기원하는 제사를 표현하였다. 영상은 두 개의 프레임으로 구성된다. 왼쪽 영상은 제사의 진행 과정을 표현하고, 오른쪽 영상은 지진을 나타내는 그래프의 값이 0으로 수렴하는 모습과 지진이 발생하는 과정이 거꾸로 진행되는 모습을 표현했다. 작업하면서 가장 추구하고 싶었던 것은 한국 전통과 무속 이미지와 정교한 수학적 그래픽 간의 대조 속에서의 메시지 전달이었다. 겉으로 보기에는 서로 간에 연관성이 없어 보이는 이미지이지만, 제사가 진행되면서 그래프 속의 지진을 나타내는 수치가 멎어 들고 있음을 표현하여 관객이 영상을 감상하면서 천천히 이해할 수 있기를 바랐다. Music | So Ra Kim - Ul Lim Gut Director | Dong Hyun Lee Advisor | Daryn Wakasa · Carsten Becker · William Salas