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Some 27,000 photos and video later, taking some time to reflect on documenting this year’s eruption has truly helped to process a lot of the intense range of emotions felt throughout 100 days of volcanic photojournalism. It is difficult to describe how it felt like to be led by something beyond the forces of our human existence. It was the unseen that kept all of us safe when approaching harm’s way. I believe it was the same unseen presence that brought our community together in a way that would have never bonded had it not been for something so incredibly incomprehensible. This short documentary captures the first hour of Day 1, till my last remaining overflights on Day 100, observing massive geological change. My respect and best wishes go out to the neighborhood of Leilani Estates, Lanipuna Gardens, and the areas within and between Kapoho. My heart also goes out to California as fires continue to violently change the lives of many. A portion of 2018 Eruption Relief print sales through my website at: www.andrewhara.com/2018eruptionrelief will be donated to help support our local community in Hawaii, in addition to relief efforts in California. Thank you for being a part of this journey together. With much gratitude and aloha, Andrew Richard Hara ______ From Lyman Museum, Hilo, Hawaii: Madame Pele’s most recent period of high activity has affected people across Hawai‘i Island, in many cases with devastating effects on lives and well-being. While we do not lose sight of these effects, and we do what we can to help our ‘ohana, the fact remains—and perhaps it’s a bit uncomfortable to recognize—that the 2018 eruption of Kīlauea has produced some of the most visually beautiful content of our planet in a transition both destructive and creative. One of Hawai‘i’s leading photographer/videographers has put together a breathtaking documentary, a highlighting the Kīlauea fissure eruption from the first hour of Day One. Andrew shares his personal experiences throughout the eruptive events; how his visual media were able to help families, communities, and government agencies; and the once-in-a-lifetime opportunity to record 27,000 detailed photographs of a most significant geological event in Hawai‘i Island’s history.
2018年11月12日
NAOMI - KESEWA ABOAH ROCKY - A$AP ROCKY DIRECTOR - FRANK LEBON PRODUCERS - ANASTASIA EHRICH, NAT BARING CINEMATOGRAPHER - MOLLY MANNING WALKER PRODUCTION DESIGNER - LAUREN NIKROOZ CHOREOGRAPHER - NATHAN MITCHELL VFX - YSABEL KING, CÉCILE CEPPI COLOURIST - JOSEPH BICKNELL OFFLINE EDITOR - RORY MACLEAN SOUND DESIGNER - WILL BERGER ASSOCIATE PRODUCER - CLAUDIA POULTER PRODUCTION MANAGER - DYLAN SHELTON PRODUCTION COORDINATOR - TAYLOR PETRY 1ST AD - JESSICA WOFFORD 2ND AD - ALEX SAKAZANAS 1ST AC - JAMES REGAN 2nd AC - JAMES LAMBERG PLAYBACK OP - MIKEY KRZYZANOWSKI CASTING DIRECTORS - CHANDLER KENNEDY, CARMEN ROSY HALL GAFFER - LYON TAYLOR BB ELECTRIC - KEAGAN FULLER ELECTRIC - LUKE PROVENZANO, JOHN GUILLEN KEY GRIP - ROB FATTORINI BB GRIP - ANDREW GRITZKE GRIP - SHAUNA TERRUSO GENERATOR OP - ERIC JENSEN G/E DRIVER - KELLY BEAM ART COORDINATOR - ALVIN MANALO LEADMAN - EUGENE CHOI PROPS ASSIST. - SYD RICHARDSON ART ASSIST. - URIEL FOX CARPENTER - ABDUL BARKS SFX - BRIAN SCHULEY STYLIST - ZARA MIRKIN WARDROBE ASSISTS. - ZOEY RADFORD SCOTT, SPENCER SINGER MAKE UP ARTIST - ANDREW COLVIN MAKE UP ASSISTS. - SHAY GARCIA, MAGGIE MONDANILE HAIR STYLIST - NERO HAIR ASSISTS. - YUKIE YAMASAKI, KENICHI BANDO MANICURIST - GINA EPOLITO LOCATION MANAGER - JONATHAN GROOM MOTORHOME DRIVER - CHRISTOPHER IBANEZ PRODUCTION ASSISTS. TRUCK - ANDY JOHN, TONY LAMBOY PRODUCTION ASSISTS. - OLIVIA HUNT, RYAN STANTON, JANILL URBINO CRAFT SERVICE - BENN GOLDSCHEIN SCRATCHY - AARON PARKER BOUNCER - CURTIS ASHLEY SPECIAL THANKS TO: HAVANA LAFFITTE, JAH ALLMIGHTY PRODUCTION COMPANY - CAMERA CLUB
2018年11月21日
A short creative documentary that charts the attendees of Britain’s longest running Wargames group, and explores the complexity of actual combat on individuals from a psychologist's perspective. Obsession, camaraderie and a Wargames Society that asks: what does it take to go into battle? Funded by Film London and the British Film Institute (BFI Network). Directed by - Jessica Bishopp Produced by - Hannah Eugénie Tookey filmlondon.org.uk/wargames Director of Photography - Sarah Cunningham Editor - Adelina Bichis Composer - Hollie Buhagiar Assembly Editor - Jessica Bishopp Featuring - Professor Edgar Jones, Professor in the History of Medicine and Psychiatry, King’s College London, King’s Centre of Military Health Research (KCMHR) Tunbridge Wells Wargames Society Featured Models Designed & Painted By - Steve Earl, Mark Gibbons, Martin Goad Focus Puller & Camera Assistant - Kate Molins Sound Recordists - Kirsty Howell & Nadine Richardson Gaffer - Jonathan Tomlin Grip - Nik Georgiev Sound Design & Sound Mix - Fred Pearson, Final Cut Sound Producer - Laura Harris, Final Cut Post Production Producers - Lucy Mason & Dan Kreeger, The Mill Colourist - Jim Bracher, The Mill Colour Grade - The Mill Production Assistant - Gennie Allcott Interview Transcriptions - Noemi Varga Drivers - Gennie Allcott & Nigel Bishopp Catering - Lucinda Bishopp & Brian Tayler For Film London: Jordan McGarry - Head of Production & Talent Development Angeli MacFarlane - Development Producer Josic Cadoret - Producer, Short Film Schemes Alice Whittemore - Production and Development Officer Executive Producers - Compulsory, Chris Toumazou, Kadri Mahmoud, Rob Hughes, Nigel Bishopp Production Company - Compulsory With Special Thanks To Tunbridge Wells Wargames Society, King’s Centre for Military Health Research, Brian Tayler, Karen Tayler, Lucinda Bishopp, Nigel Bishopp, Emma Bishopp, Paul Colebrooke, Steve Earl, Mark Gibbons, Martin Goad, John Hurst, Ivor Metcalf, W G Pavely, Terry Shoebridge, Rodney Somerville, Colin Stone, William Stone, Tony Wyatt, Edgar Jones, Direct Photographic, Filmscape, ProCam, Final Cut, The Mill Film Festivals - The Smalls Film Festival 2018, Official Selection, Nominated for Best Documentary Award. Imperial War Museum (IWM) Short Film Festival 2018, Official Selection, Nominated for the The Annie Dodds Award for Best Documentary. Underwire Festival 2018, Official Selection, Nominated for Composing Award. Eindhoven Film Festival 2018, Official Selection. London Short Film Festival (LSFF) 2019, Official Selection.
2018年11月1日
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