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In the 1950s, a wave of “method actors” took Hollywood by storm. Actors like James Dean, Marlon Brando, and Montgomery Clift, brought a whole new toolset and perspective on the actor’s craft to the films they performed in. The foundation of their work, however, was laid in Russia more than fifty years prior to their stardom. Stanislavski’s conception of “psychological realism” in performance challenged ideas about the essential features of the actor’s craft that had been held for centuries. In theatre before Stanislavski, acting was defined as a craft of vocal and gestural training. The role the actor played was to give life to the emotions of the text in a broad illustrative fashion. Formal categories such as melodrama, opera, vaudeville, and musicals, all played to this notion of the actor as chief representer of dramatic ideas. Stanislavski’s key insight was in seeing the actor as an experiencer of authentic emotional moments. Suddenly the craft of performance could be about seeking out a genuine internal experience of the narrative’s emotional journey. From this foundation, realism in performance began to flourish. This not only changed our fundamental idea of the actor but invited a reinvention of the whole endeavor of telling stories through drama. Teachers would adopt Stanisvlaski’s methods and ideas and elaborate upon them in American theatre schools. The result, in the 1950s, would be a new wave of actors and a style of acting that emphasized psychological realism to a greater degree than their peers in motion pictures. This idea of realism grew to dominate our notion of successful performances in cinema. Stanislavskian-realism is now central to the DNA of how we direct and read performances, whether we are conscious of it or not. I think it is important to know this history and consider its revolutionary character. Understanding the nature of Stanislavski’s insights allows us to look at other unasked questions, other foundational elements of our craft that we might take for granted. — Stanislavski’s books are still fascinating explorations of the craft of performance. Check them out: An Actor Prepares: www.goo.gl/8CR551 Building a Character: www.goo.gl/pZR1U4 Creating a Role: www.goo.gl/ato2rZ The Stanislavsky System: www.goo.gl/JDGkfK — Visual References: A Place in the Sun, A Streetcar Named Desire, Anatomy of a Murder, Baby Doll, Before Sunset, Blue Valentine, Carol, Cat on a Hot Tin Roof, Daisies, East of Eden, Giant, Grandmother, Kid Auto Races at Venice, Moonlight, On the Waterfront, Somebody Up There Likes Me, Splendor in the Grass, Taxi Driver, The Breaking Point, The Heiress, The Conversation, The Misfits, There Will Be Blood, Twentieth Century, Vaudeville: Early American Entertainment, Wild River — Patreon: patreon.com/luxessays Twitter: twitter.com/travratc YouTube: youtube.com/c/LuxVeritas
2017年10月30日
* For a better experience play this film in 4K and use headphones. ••• ' Every time I go back to Sardinia to visit my family, I see this abandoned building in front of the sea. I felt it was the perfect place for Léo Walk and his choreographic imagination to perform, surrounded by the ruins, the surreal light of the costa verde and the intense voice of Mercedes Sosa. It creates this subtle feeling between vitality and melancholy that I wanted to express in this film. Sit back and enjoy! ' ••• ☞ http://www.konbini.com/fr/inspiration-2/isola-quand-la-danse-mele-avec-brio-modernite-et-melancolie/ ••• Behind The Scenes ☞ https://vimeo.com/238974509 Shot in Todd AO anamorphics + Red Helium 8K. Sardinia, September, 2017. ••• Dancer: Léo Walk Director: Neels Castillon Cinematographer: Eric Blanckaert 1st AC: Kevin Rosé 1st AD: Sébastien Rouquet BTS Video: Thibaut Koralewski Location Manager: Alessandro Usai Production Company: http://motionpalace.tv Executive Producer: Ariane Cornic Producer: Marie-Gabrielle Glock Production Coordinator: Sandrine Laveau Post-production: Mikros Image Colourist: Sébastien Mingam VFX: Anthony Lassus Operations manager: Nicolas Daniel Sound Production: Benzene Sound Design: Loic Cavenet Sound mix: Hugo Escuriol Camera & Lenses: RVZ ••• SPECIAL THANKS to Angèle Van Laeken, Lucie Delaye, Thomas Pallas, Samuel Renollet, Frédéric Lombardo, Cédric Dauch, J.M Weston, Franca Usai, B&B La Magnolia, Jean-Lin Roig, Adrien Kamir, Maja Unrug, Alberto Porcedda. ••• MUSIC "Alfonsina Y El Mar" Performed by Mercedes Sosa (P) 1988 PolyGram Discos S.A Courtesy of Universal Music Publishing Films & TV Lyrics & Music by Ariel Ramirez and Falucho Luna © Editorial Lagos Courtesy of Warner Chappell Music France
2017年10月31日
----- Blu-Ray discs available here: mikeolbinski.com/shop/ Music by Peter Nanasi, find his work here: https://peternanasi.bandcamp.com/ Follow me: twitter.com/mikeolbinski / facebook.com/mikeolbinskiphotography / instagram.com/mikeolbinski ------- Early on this summer when I found myself down by Santa Rosa, AZ watching a gorgeous hail core fall on the stunning desert landscape, and then later that day staring at a haboob with a stacked shelf cloud above it near the border of Mexico, I had a feeling it would be a unique monsoon. It's funny how every year is different. That's the beauty of chasing the summer storm season out here in the desert southwest. You never know what's going to happen or what you might see. This year I ventured far and wide. Phoenix never saw a good dust storm all summer, but I still was able to capture a few good ones in southwest portions of the state. The cover photo for this film was halfway to Yuma standing in the middle of Interstate 8 watching an ominous wall of dust roll down the highway towards me with lightning flashing behind it. It was an incredible moment. One bonus this summer was a few successful chases up at the Grand Canyon. Finally. A couple of gorgeous sunsets, rain dumping into the Canyon, lightning at night, Milky Way...it all worked out and I'm stoked for the footage I captured there that made it into this film. I also ventured over into New Mexico twice to chase some wonderful, plains-like structure to end the monsoon this year. All told I covered about 13,000 miles and chased as far west as Desert Center, CA, as far east as Wilna, NM and as far north as Tonelea, AZ. And two great storms down in Organ Pipe National Monument, which is only about 10 miles from Mexico. I loved what I saw this year. It felt so unique. I found myself submerged in cacti and desert flora a few times with stunning light and structure. Explored places in New Mexico I hadn't seen before. Smiled at the gasps of amazement from the crowds at the Canyon when a lightning bolt would strike. Finally discovered that the Santa Rosa area is a hotbed for supercell activity. And while it didn't make it on time-lapse, I captured a brief tornado over downtown Phoenix! So...the film. So much effort and energy went into it. I shot over 110,000 frames of time-lapse and likely only half of it ended up in the final cut. The editing has taken me weeks and even right up until Monday evening I was still fixing and tweaking. The music is all custom, thanks to the amazing work of Peter Nanasi. PLEASE check out his website and buy his albums! I love how we work together to develop a track that seems to fit exactly with the clips I capture. I am so incredibly blessed that his work crossed my path. A quick thank-you to the workshop guests I had this summer. You guys were amazing troopers, staying out to all hours and being around for some awesome storms. In fact, I am not sure that I would have even been on the shelf cloud in the final scene of this film if it hadn't been for my workshop. Thank you, thank you! As always though, what made it fun was sharing a lot of it with my kiddos. They made the trip up to the Grand Canyon with me once and it was such a blast of an experience. Asher joined me in New Mexico one day, just he and I, and I got to see his face light up when he captured his first ever lightning strike on video on his little iPad. To my wife Jina...we've come a long, long way since we started this storm chasing journey years ago. It's not been easy all the time, especially with me being on the road so much between April and October these days. But we've slowly figured things out and I'm unbelievably grateful to you for your support and belief in what we're doing together. To everyone else...thank you for your continued support of my work. I am constantly blown-away at the kindness that you show to me. And now...I hope you enjoy this film. Technical Details: I used two Canon 5DSR’s along with a Canon 11-24mm, 35mm, 50mm, 135mm and Sigma Art 50mm. Manfrotto tripods. The final product was edited in Lightroom with LR Timelapse, After Effects and Premiere Pro.
2017年10月24日
Satan's boulder busting destruction is halted by a stubborn foe, testing his shape shifting abilities. Scored to an old phonographic gospel recording, this highly metaphorical animated short illustrates the relentless resistance, and ultimate victory, over a gritty penetration of abuse. Awards: -2017 Woodstock Film Festival, Best Animated Short. -2017 Bend FIlm Festival, Best Animated Short. -2017 Raleigh Film Festival, Best Animated Short. -2017 ASIFA-East (Association Internationale du Film d'Animation) 2nd Place. -2017 ASIFA-East (Association Internationale du Film d'Animation) Best Sound. -2017 ASIFA-San Fran Audience Award, 1st Place Independent Films. Official Selection: -2017 Athens Anifest Animation Festival, Athens Greece (World Premiere) -2017 Festival de Cannes, Short Film Corner. -2017 Austin Film Festival -2017 Savannah Film Festival -2017 Bend Film Festival -2017 East Lansing Film Festival -2017 Raleigh Film Festival -2017 Kansas International Film Festival -2017 Savannah Film Festival -2017 Ellensburg Film Festival -2017 Coney Island Film Festival -2017 Orlando Film Festival -2017 Buffalo International Film Festival -2017 Queen City Film Festival -2017 In Short Film Festival -2017 Santa Cruz Film Festival -2017 Shorts on Tap London -2017 ASIFA South Animation Conference and Festival -2017 Naperville Independent Film Festival -2017 Woods Hole Film Festival -2017 Walla Walla Movie Crush -2017 Literally Short Film Festival -2017 Atlanta Shortfest -2017 The Fredrick Film Festival -2017 Woodstock Film Festival -2017 Pachuca Film Festival, Mexico -2017 ASIFA-San Francisco -2017 ASIFA-East Film Festival (Winner) -2017 Anima Mundi Brazil. -2017 Woods Hole Film Festival -2017 Marthas Vineyard Film Festival -2017 Phoenix Comiccon -2017 Open World Animation Festival -2017 Philadelphia Independent Film Festival -2017 We Like 'em Short Film Festival
2017年10月16日
NIOFAR tells the story of a French girl who went to settle in Senegal and meet its inhabitants. In Wolof, Niofiar means "to be together". This personal film is a metaphor of the amazing and unique experience lived by Hugo’s brother. He lived for one year at Grand Mbao, a small village of Senegal. There, he shared the day to day life of the villagers, and settled completely. learning the local language, giving himself and investing himself totally to them. Over there we called him the « Sénégaulois" a mix between the words Senegal and the Gauls. Thanks to Colin, the rushes taken in Grand Mbao have a powerful strength of truth has they have been taken from the closest point you can get of the community. The characters are not disturbed by a foreign presence et forget the camera. The portraits the film depicts are fixed in authentic moments of life. A story inspired by Colin Lemant director : Hugo Lemant Main character : Solaire Moisset Second character : Gigi Dia Voice over : Emmanuelle Degeorges Producer : Gautier Lacaille & Clément Gaucher-Holmann Production : Ubiquity Films Sound Designer/ Music Editor/ Mix : Lohengrin Aloys Colorist: Thomas Canu Music : "Easy" by Son Lux AWARDS - Best Short Documentary - International Monthly Film Festival (Copenhagen, Denmark) - Best Foreign Documentary - International Monthly Film Festival (Copenhagen, Denmark) - Best Shot Documentary, Short of the Year (Madrid, Spain) - Prix TV de la région, Les Clayes du Cinéma (France) - Winner, Moondance International Film Festival (Boulder, USA) - Outstanding Cinematography, Autumn Shorts Film Festival, (Somerset, USA) SELECTIONS - Best Short - Aab International Film Festival (Punjab, India) 
- Best Short Doc - Wales International Doc Fest 2017 (Blackwood, UK) 
- Official Selection - FESTIVAL INTERNATIONAL DU FILM PANAFRICAIN (Cannes, France) - Recognition - The West African Film Festival (Houston, USA) - Best Documentary - Vues d’Afrique (Montréal, Canada) - African film festival, best documentary short (Dallas, USA) - Short Doc San Francisco DocFest (San Francisco, USA) - Short Film for Youth - Timisoara Refugee Art Film Festival (Timișoara, Romania) - Short Documentary International - Kleinkaap Short Film Festival (Gauteng, South Africa) - Official Selection - Capital City Black Film Festival, (Austin, USA) - Official Selection - Espacio Center Festival (Canarias, Spain) - Official Selection - REC-Filmfestival 2017 (Berlin, Germany) - Official Selection - Full Bloom Film Festival (Statesville, USA) - Official Selection - 2017 Buffalo International Film Festival (Buffalo, USA) - Official Selection - Du Grain à Démoudre (Le Havre, France) - Official Selection - Atlanta Docufest 2017 (Atlanta, USA) - Documentary Programme - Kinofilm, Manchester International Short Film & Animation Festival (Manchester, UK) - Official Selection - BIBFF 2017 (Baltimore, USA) - Category Metissage - Video Hackers Film Festival (Ovada, Italia) - Official Selection - Little Mexico Film Festival (Chicago, USA) - Official Selection - International Izmir Short Festival (Izmir, Turkey) - Official Selection - Up-and-Coming International Film Festival Hannover (Hannover, Germany)
2017年10月24日
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