VIMEO 精选
  • 0 关注
  • 122 粉丝
  • 216083 来访
After several years together, William and Cecilie break up. The same night, to treat the sorrow with love, they decide to do the drug MDMA together. For better or worse, this results in an emotional rollercoaster ride over a whole weekend as the two are isolated together in their apartment. "Forever Now" is this week's Staff Pick Premiere! Read more about it here: vimeo.com/blog/post/forever-now SCREENINGS / AWARDS 2017 - SXSW (USA) / Grand Jury Award for "Best Narrative Short" 2017 - Short Shorts Film Festival & Asia (Japan) / In Competition 2017 - Kyiv International Short Film Festival (Ukraine) 2017 - Palm Springs International Shortfest (USA) / In Competition 2017 - Open Place International Short Film Festival (Latvia) / Grand Jury Award for "Best Actress" 2017 - Nevada City Film Festival (USA) / In Competition 2017 - Helsinki International Film Festival - Love & Anarchy (Finland) / Official selection 2017 - Athens International Film Festival (Greece) / Official selection 2017 - Vancouver International Film Festival (Canada) / In Competition 2017 - Trujillo Independent Film Festival (Peru) / Screening 2017 - Adelaide Film Festival (Australia) / In Competition 2017 - Hamptons International Film Festival (USA) / In Competition 2017 - Tacoma Film Festival (USA) / Jury Awards for "Best Screenplay" & "Best Cinematography" 2017 - Festival International Signes de Nuit (France) / Official selection 2017 - Nordic International Film Festival (USA) / Jury Awards for "Best Director" & "Best Female Actor" 2017 - Naples International Film Festival (USA) / In Competition 2017 - Evolution! Mallorca International Film Festival (Spain) / In Competition 2017 - Edinburgh Short Film Festival (Ireland) / In Competition 2017 - Nordische Filmtage Lübeck (Germany) / Official selection 2017 - 24fps International Short Film Festival (USA) / In Competition 2017 - Zinebi - International Festival of documentary & short film of Bilbao (Spain) / In Competition 2017 - Hollywood North Film Festival (Canada) / In Competition 2017 - Miami Short Film Festival (USA) / In Competition 2017 - Leuven International Short Film Festival (Belgium) / In Competition 2017 - Bahamas International Film Festival (USA) / In Competition 2018 - Artfools International Film Festival (Greece) / In Competition 2018 - Landshut Short Film Festival (Germany) / In Competition 2018 - Regard Festival (Canada) / In Competition CAST / CREW William - Ferdinand Falsen Hiis Cecilie - Frederikke Dahl Hansen Cecilie's dad: Henning Valin Director: Kristian Håskjold Written by: Kristian Håskjold, Trille Cecilie Uldall-Spanner Producer: Siri Bøge Dynesen Director of Photography: Christian Houge Laursen Production Designer: Kristina Kiss Kovacs Editor: Kristian Håskjold Sound Design: Christian Scheuer Music Composer: Jesper Ankarfeldt Sound recordists: Johannes Rose, Mads Bramstoft Kostumier & Make-up: Emillie Galsgaard Dinesen B foto: Brian René Egeberg, Kasper Bundvad B editor: Noa Vedde Colorist & Online: Nurali Kushkov, Cameo VFX: Freddie Smith Artwork/Graphics: Anne Sofie Nordlund Hansen Poster – retouch: Martin Bo Kristensen Equipment: Filmværkstedet, Red Rental, Kameraudlejningen Sound facilities: Lydkilden Post production facilities: Flying Films, Cameo Locations: Niels Uldall-Spanner, Emilie Galsgaard Dinesen, Oliver Tonning Catering: Helle Bøge Dynesen Editing consultant: Frederik Strunk Consultant at Filmværkstedet: Mille Haynes
2月28日
I often wonder what the world would look like if the ancient cultures of the past had survived repeated attempts to have their faiths banished from popular practise through colonisation. Did the ancient Mexican culture die during the conquest by the Spaniards in the 16th century, and are the remaining indigenous populations simply fossils, condemned five hundred years ago to disappear because they have no place in the present? 
 The liberty of the past, the golden age before colonial domination, is not a dead past lost forever, but the basis of hope. In the cycle of time that age will come again. Director: Daniel Sadgrove Cinematographer: Kenji Katori Steadicam: Juan Matias Ramos 1st AC: Aura Gonzalez Salazar Steadicam Asst: Tania Barajas Camera DIT: Cristian Sanchez
 Line Producer: Jesus Franco, Brenda Zamudio 1st PA: Lucy Suarez 2nd PA: Arturo Tamayo Makeup: Eve Magnn Runner: Maria Fernanda Flores Cast Trinidad Villaseñor, Edith Hernandez Ramos, Cristian ‘Chile’ Lopez, Ignacio Del Rio Ocegueda, Jose Mejia, Effy Betancourt, Gustavo Guerrero Lopez, Arturo Tamayo, Yadira Linda Mariscal Gracian, Miguel Angel Gaitan Alvarado, Daniel Osmar Guerrero López, Aldrich Guilleromo Ayron Marcial, Alan Eduardo Gomez Chavez, Marco del Rio Ayon Marcial, Angel Ayohualli Gaitan M. & Jose Alejandro Juarez A. Editor: Grason Caldwell ℅ Parallax Post Color: Kath Raisch ℅ Company 3 Music: Lorn ℅ Wednesday Sound Sound: Kinsey Green VO (Nahuatl): Ana Gabriela Reus VO (English): Ólafur Darri Ólafsson Special thanks Lucy Suarez, Cristian ‘Chile’ Lopez, Benjamin Suarez, Ihxel Pérez, Storm Richardson, Nick Fuller, Debbie De Le Ceuva Jewellry , Nathalie Mignot, Pacha Mama Boutique, Casa de Linda, Gabriel Jones, Wendy Jones, Casa Vecino, Lucy Mejia, Jose Mejia, La Esperanza Restaurant, The Lift Mexico, Spencer Harris, Esteban Ponce, Angela Herrera, EFD International, Christopher Hewitt, Luke Lynch, Paul Rogers & Hugo. Recommended Reading
 México Profundo: Reclaiming A Civilization by Guillermo Bonfil Batalla Aztec by Gary Jennings Exodus Lost by S.C. Compton Filmed in and near Sayulita, Mexico.
2月13日
EN------------------ NEBULA is an experiment that aims at finding the link between two trends that develop simultaneously in the history of film – Lumières concept of a movie as a record of reality and Méliés’s idea that uses the film as a tool for creation of imaginative worlds. NEBULA draws from both of these approaches and becomes a combination, collage, in which the recorded figurative picture is intermingled with abstract compositions being the graphic equivalent of music. The project using the volumetric filmmaking technique (RGB+D) is, on the one hand, the recording of an event (a meeting of musicians playing a jazz composition “Sleepwalker” by Maciej Obara) and, on the other, an attempt to obtain the visual experience of music by using the soundtrack of a recorded piece of music at the stage of post-production. The picture created as a result of the recording represents the “Lumières line” that aims at reflecting the reality in the most accurate way. Musical layer that has its sources also in the recording becomes a tool for creation of abstract visual compositions that does not bear traits of reality (Méliés’s line). These two approaches are combined into an audio visual form resembling a video clip. The aim of this project, besides examining the links between record and creation based on non-figurative forms, is also the exploration of the new volumetric filmmaking technique (picture recorded by a Kinect sensor). PL------------------ NEBULA to rodzaj eksperymentu, będącego próbą znalezienia punktu wspólnego między dwiema równolegle rozwijającymi się tendencjami w historii filmu - lumièrowską koncepcją filmu jako rejestracji rzeczywistości a mélièsowską filozofią wykorzystującą medium filmowe jako narzędzie do kreowania fantazyjnych światów. NEBULA czerpie z obu tych postaw i staje się swoistym połączeniem, kolażem, w którym zarejestrowany obraz figuratywny przeplata się z kompozycjami abstrakcyjnymi, które są graficznym ekwiwalentem muzyki. Projekt, wykorzystując technikę filmowania wolumetrycznego (RGB+D), jest z jednej strony rejestracją wydarzenia - spotkania muzyków grających jazzową kompozycję “Sleepwalker” autorstwa Macieja Obary, z drugiej zaś - poprzez użycie na etapie postprodukcji ścieżki dźwiękowej zarejestrowanego utworu - próbą uzyskania wizualnego doświadczenia muzyki. Obraz powstały w wyniku rejestracji reprezentuje „linię lumièreowską”, skupiającą się na jak najwierniejszym oddaniu rzeczywistości. Warstwa muzyczna (mająca swe źródła również w rejestracji) staje się natomiast narzędziem do tworzenia abstrakcyjnych kompozycji wizualnych, nienoszących znamion reprezentacji rzeczywistości (“linia mélièsowska”). Obie te wartości połączone zostały w audiowizualną formę przypominającą teledysk. Po za badaniem punktów stycznych rejestracji i kreacji, opartej na formach niefiguratywnych, celem projektu była również eksploracja nowego medium jakim jest technika filmowania wolumetrycznego, czyli obrazu zarejestrowanego na pomocą sensora Kinect.
2月21日
关于
介绍
VIMEO STAFF PICK