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Don't Panic! Yes, you should not panic. Why panic? Things are good, aren't they? Speaking of "things"...."Don't Panic!" is also the name for IsenSevens 2010 movie. We travelled to powdery Euro resorts, snowed-in German and Scandinavian cities, slushy California parks, Russian ghettos and all kinds of other fun places.....except Vegas. No snow there this year. With a bunch of new riders, familiar faces and new additions to the production team, we regrouped to form a snowboard-movie-super-alliance which even the United Nations couldn't shake a stick at. Equipped with fancy schmancy cameras and cool cranes/jibs/dollys/cable cams/filming monkeys we set out to make yet another fine movie filled with the typical fun riding, banger bangers, people doing stupid things, rails, pow, park, bright and flashy colors and little snow caves. This years team consists of the usual suspects Fredrik Evensen, Christophe Schmidt, Ludwig Lejkner, Fips & Tobi Strauss, Alex Tank, Tom Klocker, Marco Smolla and the new additions of the swiss connection Colin Frei & David Bertschinger Karg, Austro kicker machine Benny Wetscher, Norwegian viking Sindre Iversen, Italian supermodel Simon Gruber, Scotlands real Braveheart Gary Greenshields and Norwegian super-kid Gjermund Bråten. So be sure to bring your barf bags cause there's going to be some spinning that will make you dizzy! The movie will be released mid September and the whole gang can't wait to show you their new baby. ISENSEVEN presents "DON'T PANIC!". A film by ALEX SCHILLER, TOM ELLIOTT and VINCENT URBAN. Editing by VINCENT URBAN Motion graphics by ALEX SCHILLER MUSIC: Salem Al Fakir "Twelve Fingers" www.myspace.com/salem Published by Al Fakir Songs. (P) 2007 Salem Al Fakir under exclusive license to EMI Music Sweden AB. (C) 2007 Salem Al Fakir under exclusive license to EMI Music Sweden AB. Principal cinematography by Tom Elliott, Alex Schiller, Vincent Urban with additional footage provided by Felix Urbauer, Richard Prendergast, Max Seefried, Mikael Norrman, Niko Jentsch, Phil Meyer, Sveinung Ryan, Eivind Aurstad, Pirmin Juffinger, Chris Garside, Kasper Häggstrøm and Maurino Castellani. Thanks to Pleasure Magazin, Head Snowboards, Oakley, Burton, Nitro, Volcom, DC, Forum, Nike 6.0, Sweet, O'Neill, Vans, Fiat Freestyle Team, Zimtstern, K2 Snowboarding, Bataleon, Snowstyle Magazine and Planet-Sports for making this project possible.
2010年6月3日
I was introduced to Jordan, the effervescent subject of this Op-Doc, by a mutual friend; we met for lunch at his favorite deli in Los Angeles, where we live. That day, we waded through a getting-to-know-you conversation that somehow felt both more awkward and less awkward than most of its kind. Jordan has Asperger’s syndrome, and so he often gets pulled into his own world, one that can seem chaotic and isolated from ours. But he has learned to make deliberate choices to stay present in reality. I found myself pleasantly surprised by the quick-witted middle-aged man having lunch across from me. He has an encyclopedic knowledge of music and movies, and a strikingly clever sense of humor. So I was intrigued. The lunch became the first of many meetings we shared over the course of many months, before we started filming this Op-Doc more than a year later. Autism and Asperger’s syndrome, which is often considered a high-functioning form of autism, can manifest through a wide spectrum of symptoms; the severity and range of consequences vary depending on the individual. Sometimes these symptoms are barely noticeable, but on the other hand, around 40 percent of autistic children do not speak. (Symptoms often lessen by adulthood.) In Jordan’s case, he lives independently, holds a job, and manages his own personal finances. He has a relationship with a woman named Toni who has multiple disabilities herself. But more importantly, he is self-aware, self-accepting, caring, with a strong ability to analyze and speak about his condition with others. He understands how he is different, and he has created a coping mechanism for himself that enables him to function in society and pursue his interests in the arts as an escape when it all becomes too much for him. It is these qualities that I wanted to emphasize in this film. I wanted Jordan himself to tell us his story instead of it being formulated out of impressions from the perspective of an outsider. A strong self-advocate, Jordan argues that he is not a disabled person, but merely a person with a disability. Someone from whom those he calls “normal people” could learn. Besides, he will argue, “everybody is not completely normal” anyway. So much more research and support is needed to enable people with autism. There are no limits to what beautiful minds like Jordan’s can help us make of this world. Official Selection SXSW Film Festival 2017. Official Selection Camerimage Film Festival 2016. Official Selection Santa Barbara International Film Festival 2017. Official Selection Cinequest International Film & VR Festival 2017. (Winner Best Short Documentary) Official Selection Oxford International Film Festival 2017. Official Selection Raw Film Festival 2017. Official Selection Athens Film + Video Festival 2017. Official Selection Newport Beach Film Festival 2017.
4月24日
About the Work From the lights of skyscrapers and homes, to the neon street lights and headlamps of cars and trains in motion… fragments of the city float like stardust out of the darkness against the curtain of the night sky. This new vision of Tokyo is explored with omnidirectional motion graphics. This work was born from ‘Beyond Motion Graphics’ ( http://wowlab.net/research/beyond-motiongraphics ) an internal company project at WOW aimed at exploring new possibilities for motion graphics. In using VR technology, consideration was given as to what kind of images to showcase and express as pieces of art. 作品について 夜のとばりに包まれた高層ビルの光、街頭のネオン、電車や道行く車のヘッドライトから家々が湛える暮らしの灯りまで、暗闇から現れる星屑のような街の断片を浮遊しながら、東京という都市の新たなビジョンへと至る、全天球型のモーショングラフィックス。 本作は、モーショングラフィックスの新たな可能性を問うWOWの社内プロジェクト「Beyond Motion Graphics」( http://wowlab.net/research/beyond-motiongraphics )から誕生。VRの技術的側面に加え、それによって切り拓かれるべき映像=アートとしての表現性に注目した。 Staff Art Director / Designer:Nakazi Takuma, Moriwaki Daisuke, Kudo Kaoru Designer:Miyajima Tsutomu, Kojima Kazunori, Makino Shigeru, Sasaki Takuma, Kitabatake Ryo, Takagishi Hiroshi, Tanaka Kenji, Horai Misaki
4月20日
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