魔幻星露_愚蠢的人类啊
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「未知星球」(「PLANET UNKNOWN」)是中国传媒大学动画与数字艺术学院 2016 毕业设计展上的压轴作品,其画面之精美、效果之复杂、完成度之高,很难让我们相信这部作品竟然是由一个人完成的! 截至目前,该作品以及荣国国内外重要影像节奖项近 10 项以及 Vimeo Staff Picks。 At the end of 21st century, mankind were facing global resource depletion. Space Rovers were sent out to find potential inhabitable planets. Credits: Written & Directed by - Shawn Wang Modelling, Texturing, Animation, Compositing & Editing - Shawn Wang Music & Sound Design by - Echoic Audio Composer - Sam Foster Sound Design by - Tom Gilbert & David Johnston Special Thanks to - Evolutions Re-recording Mixer - Will Norie Faculty Producer - Xinyuan Huang Faculty Adviser - Yucheng Huang Special Thanks to System Advisers - Horizon Bian / Sicong Wang / Jiawei Cao Festivals: 01. Burbank International Film Festival - Best Animated Short 02. Korea Independent Animation Festival - Official Selection 03. Imaginaria Film Festival - Official Selection 04. LA Shorts Fest - Official Selection 05. Oaxaca Film Festival - Official Selection 06, Los Angeles CineFest - Official Selection 07. Lisbon International Film Festival - Official Selection 08. China Animation & Comic Competition Golden Dragon Award - Official Selection Links: Official Website: PlanetUnknownFilm.com Facebook Page: facebook.com/PlanetUnknownFilm IMDb: imdb.com/title/tt5850826 Echoic Audio: echoicaudio.com /* I had been working full time on Planet Unknown from July 2015 to June 2016. It was a passion project as well as my graduation thesis film at Communication University of China. This 11-month journey was very challenging, but it was a perfect learning opportunity as well. The idea started back in 2014 when Interstellar was released. I was deeply impressed by the movie and was inspired by the two robots TARS and CASE. The idea of intellectual robots exploring space developed from there. Other inspirations include Pixar movies like WALL-E and Toy Story, as well as CHAPPiE, NASA documentaries about Mars Rover Curiosity, and short films by individuals like Alex Roman’s The Third & The Seventh, Richard Mans’ Abiogenesis, Erik Wernquist’s Wanderers, Alf Lovvold’s Dawn of the Stuff, and so many more. Echoic Audio, one of the UK's leading music & sound design studios, joined this adventure with epic cinematic score and detailed sound design which catapulted the film to a new level that I had never imagined. This project pushed me to do what I never thought I could do. However, it also keeps punching me in the face and shows me how limited my skills are. There are still tons of problems in the making that I can't figure out even now. Thanks to everyone for the support along the way. The new adventure begins... */
2016年9月24日
皮克斯番外篇。小清晰方式表达的恋爱,完美的技术。 故事讲述的是下雨天的街道上,一把蓝色雨伞和一把红色雨伞之间的爱情故事。   皮克斯动画短片《蓝雨伞之恋》(The Blue Umbrella)由摄影构图艺术家Saschka Unseld执导,这也标志着皮克斯从事技术方面的员工首次担任导演,6分钟短篇讲述的故事相当简单,一只蓝色的伞一见钟情地爱上了一只红色的伞,而正处于萌芽期的爱情却被距离和不可预知的自然力量所间隔,在街道伙伴 (街道上所有物体都有了生命)的帮助下,最终有情人终成眷属。   36岁,来自德国的Unseld,2008年才加入皮克斯。他说:“某个下雨天当自己独自走在旧金山街道上时,看到一把破损的雨伞躺在了水沟里。这是一副非常让人伤心的画面。我站在那里,思考着它身上发生了什么故事。这就是我制作本片的灵感来源。”   他还说:“故事的核心想法就是城市里那些不起眼角落里的非生命物体都活起来了,诸如:水槽、下水道、建筑符号以及邮政信箱等等。于是在画面的视觉设计上,就必须朝着照片级现实主义方向前进。如果做成程序化卡通动画,那么这些有生命的魔法将完全消失。”   为了达到照片级的视觉效果,皮克斯使用了以前从来没用到过的技术(这些也全部用在《怪兽大学》上),诸如:全局照明(模拟光如何散发与反射到物体表面)、深度影像合成(能得到三维分层图像的数据)。其效果就是一张图片有了丰富的光线、阴影以及景深,但每帧需要花费20-30小时来渲染。在故事的特定场景中,拍摄也降到了每秒12帧(通常是每秒24帧),来展现雨滴下落的节奏。
2013年10月9日
OFFICIAL WEBSITE: hybrids-shortfilm.com Facebook: facebook.com/hybridsfilm (News, Bonus, Making of ... ) ------------------- DIRECTED BY ------------------- Florian Brauch - vimeo.com/florianbrauch Matthieu Pujol - vimeo.com/user3138593 Kim Tailhades - vimeo.com/user38938464 Yohan Thireau - vimeo.com/yohanthireau Romain Thirion - vimeo.com/user28112646 ------------------- MUSIC BY ------------------- Vincent Govindin - vimeo.com/vincentgovindin ------------------- DONE AT ------------------- MoPA, ecole-mopa.fr ------------------- SYNOPSIS ------------------- When marine wildlife suffer the pollution surrounding it, the rules of survival change... ------------------- AWARDS ------------------- Best In Show, Siggraph, 2018 Anima’t Best Animated Short Film, Sitges, Spain, 2017 Award for the Outstanding effect in a student project, VES, US, 2018 Amazon Prime Award, International TrickFilm Stuttgart, Germany, 2018 Grand Jury’s Prize, Utopiales Nantes, France, 2017 Best Animated Short, Colcoa French Festival, US, 2018 Best Animated Short, Underexposed Film Festival, US, 2018 Best Animated Short, Filmchella, US, 2017 Best Animated Short, Sklap’it, France, 2017 Best Animated Short, Unrestricted View Film Festival, UK, 2018 Best Animated Short, NanoCon Internatonal SciFi Festival, US, 2018 Best School Project, Festival de Cinema Escolar de Alvorada, Brazil, 2017 So French Award from an Highschool Jury, Poitiers Film Festival, France, 2017 So French Award from the Audience, Poitiers Film Festival, France, 2017 Audience Award, Festival du Film Court de Maison Laffitte, France, 2018 Audience Award, Cineclass, France, 2018 Audience Award for a Fantastic Film, Les Nuits Magiques, France, 2017 Award form a School Jury, Rencontres Cinema-Nature, France, 2018 Best Art Direction, Multivision, Russia, 2017 Special Mention, Academia Film Olomuc, Czech Republic, 2018 Special Mention, Festival du Film Court de Villeurbanne, France, 2017 Honorable Mention, Nashville Film Festival, US, may 2018 ------------------- SELECTIONS ------------------- 7 Petits Cailloux, France, may 2018 Academia Film Olomuc, Czech Republic, 2018 Anima, Belgium, 2018 Animages, Brazil, 2017 Animakom, Spain, 2018 Animateka, Slovenia, 2017 Annecy International Animated Film Festival, France, june 2018 ANNY (Animation Nights in New-York), US, 2018 Artfutura, Spain, 2018 Aspen ShortFest, US, 2018 Athens Film Festival, US, 2018 Athens Digital Arts festival, Greece, 2018 Cardiff Night, Ireland, 2018 Cineclass, France, 2018 CinemAmbiente, Italia, jun 2018 Cinequest, US, 2018 Clermont-Ferrand, France, 2018 Cleveland, US, 2018 Colcoa French Festival, US, 2018 Cortoons Festival Grandia, Spain, 2018 Courts Bouillon, France, 2018 DC Independent Film Festival, US, 2018 Ecozine, Spain,2018 Eye Candy (Shelley Page), World, 2017-2018 Festival de Cinema Escolar de Alvorada, Brazil, 2017 Festival du ciné court animé de Roanne, France, 2018 Festival du Film Court de Maison Laffitte, France, 2018 Festival du Film Court de Villeurbanne, France, 2017 Festival du Rocher, France, 2017 Filmchella, US, 2017 International Animation Festival Chilemonos, Chile, 2018 International Children Film Festival of Galicia, Spain, 2018 International New York Festival, US, june 2018 International TrickFilm Stuttgart, Germany, 2018 Japan Media Arts Festival, Japan, 2018 KDIAF Kuandu International Animation Festival, Taiwan, 2017 Les Nuits Magiques, France, 2017 Manchester Animation Festival, UK, 2017 Melbourne International Animation Festival, Australia, june 2018 Même Pas Peur, France, 2018 Multivision, Russia, 2017 NanoCon Internatonal SciFi Festival, US, 2018 Nashville Film Festival, US, may 2018 New Horizon Film Festival, Russia, 2018 Octobre Numérique, France, 2017 Odense Film Festival, Denmark, august 2018 Paris Court Devant, France, 2017 Poitiers Film Festival, France, 2017 Posidonia Green Festival, Spain, 2018 PSIAF (Palm Springs International Animation Festival), US, 2017 Rencontres Cinema-Nature, France, 2018 SBIFF Santa Barbara, US, 2018 SF Film, US, 2018 Short Shorts Festival & Asia, Japan, june 2018 Sitges, Spain, 2017 Sklap’it, France, 2017 Smaragdni Eco Film Festival, Croatia, june 2018 Trois Jours Trop Courts, France, 2018 Siggraph, Canada, 2018 Umbria Film Festival, Italy, july 2018 Underexposed Film Festival, US, 2018 Unrestricted View Film Festival, UK, 2018 Utopiales Nantes, France, 2017 VES, US, 2018 WOIS, Dubai, 2018 Zlin Film Festival, Czech Republic, jun 2018
10月21日
“My Brother” is a personal tribute to the silent contributions of migrant workers globally. I grew up in the island city-state of Singapore, where encounters with migrants of countries as diverse as Bangladesh, Myanmar, China and the Philippines are part of everyday living. Many of them take on jobs that are considered by the larger public to be menial in nature. Sometimes, the differences in our cultures and socioeconomic statuses cause social friction. When we allow this to be left unchecked, it can evolve into darker displays of xenophobic behavior. But the inability to see past differences is not just a local issue; it is an increasingly global one. From where I am now in the United States, I am beginning to see how irresponsible political rhetoric, among other factors, influences previously big-hearted populations, populations which embraced – indeed championed – diversity. My response to this wave of sentiments is inspired by a quote I came across recently, attributed to the French composer Claude Debussy: music is the silence between the notes. The project aims to recognize the silent migrant workers’ contributions to our communities and celebrate their music between our notes. “My Brother” is thus a metaphor for the thousands of underappreciated migrant workers we come across during our daily commute. I believe that bridges are built on bricks of commonalities and so the focus of this project is on the spaces of our shared humanity – school, families and personal dreams. After viewing the video, it is my personal hope that you make my brother, your brother too. _____________________________________________ We are not affiliated to any of the listed organizations, but to support migrant worker causes, do visit the link below: http://www.migrant-rights.org/our-networks/ Created as my Senior project at Savannah College of Art and Design (B.F.A Motion Media Design 2016). _____________________________________________ CREDITS: Directed by Audrey Yeo Written by Andrew Yeo Illustrated and animated by Audrey Yeo PROFESSOR: Steven Mark Day ADDITIONAL DESIGN: Jigyu Yoon Yeojin Shin ADDITIONAL CEL: Eleena Bakrie Gabrielle Dolbey Khoo Siew May 3D SUPPORT: Roy Kang SOUND DESIGN: Redhorse Studio MUSIC: Paul Suite VOICE: Audrey Yeo Manish Dongardive VOICE EDITING: Daniel Wiedenmann
2016年6月23日
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