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----- Blu-Ray discs available here: mikeolbinski.com/shop/ Music by Peter Nanasi, find his work here: https://peternanasi.bandcamp.com/ Follow me: twitter.com/mikeolbinski / facebook.com/mikeolbinskiphotography / instagram.com/mikeolbinski ------- On June 12th, I broke down into tears. Minutes earlier, I had been outside my truck, leaning against it, head buried in my arms, frustration and failure washing over me. I wanted to quit. I got back in the car and as I drove, the pain got the better of me and the tears came. This past spring was a tough one. Supercell structure and beautiful tornadoes had been very hard to come by. In fact, the tornado in the opening of this film was the only good one I saw this entire year. I had been on the road longer than ever before. Driven more miles. I was away from my family for 12 straight days at one point, and when I got home, I had to tell them I was going back out 24 hours later for June 12th. It was just too good to pass up. It promised to be a day that I could get everything I had been hoping for this spring and I had no choice. My wife understood, even though I knew she wished I stayed home. And I wished it too. I knew right where I wanted to be that day. But this year I struggled with confidence in trusting my instincts. Maybe it was because the lack of good storms this spring made me question my skills, or maybe it was something else inside of me. Whatever the case, I let myself get twisted and unsure, and found myself 80 miles away from where I had wanted to be when the tornadoes started to drop and the best structure of the year materialized in the sky. The photos from Twitter and Facebook started to roll in and I knew I had missed everything. It may not be easy to understand why, but when you work as hard as I did this spring, a moment like that can break you. I felt like I let my wife down. But mostly I let myself down. I forgot who I was and that's not me. Or it shouldn't have been me. I failed myself. And it seemed like the easy choice to just give up and head for home. But I didn't. I'm not sure why, but the pain slowly began to subside. I realized it was only 4pm and the storms were still ongoing. Maybe if I could get in front of them the day could be saved. Ninety minutes later, I got out ahead and saw some of the best structure I'd seen all spring and a lightning show that was so incredible it's one of the very last clips of this film. And that's why this film is called "Pursuit." Because you can't give up. Keep chasing, keep pursuing. Whatever it is. That's the only way to get what you want. I learned something about myself on June 12th which carried over to the final few days of chasing this spring. I trusted myself again and those days were incredibly rewarding. This was who I'd been all along but had forgotten. I can't wait for next year. The work on this film began on March 28th and ended June 29th. There were 27 total days of actual chasing and many more for traveling. I drove across 10 states and put over 28,000 new miles on the ol' 4Runner. I snapped over 90,000 time-lapse frames. I saw the most incredible mammatus displays, the best nighttime lightning and structure I've ever seen, a tornado birth caught on time-lapse and a display of undulatus asperatus that blew my mind. Wall clouds, massive cores, supercell structures, shelf clouds...it ended up being an amazing season and I'm so incredibly proud of the footage in this film. It wasn't the best year in storm chasing history...but I got to chase storms and share it with you guys. All worth it. I wanted to do something new this year, so I worked with composer Peter Nanasi to develop a custom track for Pursuit. I'm super excited about it and loved the process of exchanging ideas and building the song as the editing of the film progressed. I am so thankful to Peter for what he came up with, I'm in love with this track! The time away from my family turned out to be over a month all told. I'm always and continually blessed by a wife who supports what I do and backs me completely. But not only do I have her to thank this spring, but also her parents who hung around for a good chunk of May and early June, to help out wherever needed, watch the kids, run errands and generally be there for Jina. I don't have enough words to convey how appreciative I am for them being around while I was gone. I think that's about it. I could write a lot more, but I'd rather you watch the film and hopefully have a taste of what I saw this spring. There is nothing quite like strong inflow winds, the smell of rain and the crack of thunder. I miss being out there already. I hope you enjoy and I'll do my best to answer any questions in the comments below! Technical Details: I used two Canon 5DSR's along with a Canon 11-24mm, 35mm, 50mm, 135mm and Sigma Art 50mm. Manfrotto tripods. The final product was edited in Lightroom with LR Timelapse, After Effects and Premiere Pro.
7月26日
再来一发国家公园的延时作品,清幽缓慢的乐曲与广袤无垠的星空,一部典型的视听瑜伽开始了 I am a destination visual artist who specializes in photography, timelapse cinematography, & filmmaking.  I love to travel, so if you have a project in some far flung location, lets talk. Yosemite National Park, the High Sierra, and the Eastern Sierra are some of the most beautiful places on earth. Ever since I serendipitously won a trip to Yosemite when I was 18, the beautiful Range of Light has captured my heart and become my home. Nothing brings me more joy than to share this life changing beauty with others. Ever since I became fascinated with timelapse photography almost 2 years ago, after seeing the work of Tom Lowe, I’ve wanted to do a piece on Yosemite and the Sierra. Now after almost 2 years of shooting, I’m thrilled to share. I hope you enjoy my vision of my home, the majestic Yosemite & Sierra. Best viewed Full Screen with Sound. If you would like to license any of my clips or hire me to shoot for you, please be in touch. I do have 4k footage available for licensing. Web:  shawnreeder.com Email: shawn at shawnreeder dot com Facebook:  facebook.com/shawnreeder Twitter:  twitter.com/shawnreeder Music licensed and used with permission by:  shaunpaul.com Composition used: Sounds of Peace Huge thanks to Kessler Crane and Lens Pro To Go. Without their help this piece would not have been nearly as good. kesslercrane.com lensprotogo.com Also a huge thanks to all of you who help support me with your warm comments and continuing encouragement. It means more to me than you know. I hope this inspires everyone to get outside and explore the beautiful outdoors, especially magical places like Yosemite National Park and the High Sierra. It’s National Parks week and all of our national parks are free this week, so get outside and explore! *So it seems like a lot of people are asking what gear I used. I’m not going to detail every little thing, but here’s the core of what I used: (Shot at 5k in Canon RAW) Canon 5D Mark II Canon 5D Mark III Canon 14L II & 16-35L II (rented from LensProToGo) Canon 17-40L, 24-105L, 50L, 70-200L IS KesslerCrane 5 foot Cineslider, Revolution Head, Oracle’s & Basic controller, Elektra Motors, AT Outrigger Feet
2012年12月25日
10 天内我们共拍摄了 65000 张照片,容量达 2.6 TB 之多。虽然用的是目前配置最好的 iMac,但是最后只有 3 分钟的成片我们却用了 36 个小时来渲染。 This is the third episode of our independent „A Taste of ...“ time lapse series. In September 2016 we visited this awesome city to try out some new time lapse stuff. It took us 10 days, a lot of burgers and one helicopter ride to produce this video. 10 days is very little time to discover this city of endless opportunities, so we hardly slept anything and shot day and night for this time lapse film. The city that never sleeps indeed! The Taxishot: Over the 10 days we took photos of yellow cabs whenever we had time to from as many different angles as possible. So we gathered 2000 (!) photos in total we had to sort afterwards and compile to a hyperlapse around a cab in post production. It took us 5 whole days in post production to get this one shot. Technical Details: In 10 days we shot 65.000 Photos taking up 2,6 TB of our hard drives. The final 3 minute video took 36h to render on the best equipped iMac available. Other “A Taste of ...” Episodes: A Taste of Vienna (2016) http://aimozhen.com/view/4571/ A Taste of Austria (2015) http://vimeo.com/121649600 Video by: Peter Jablonowski // Thomas Pöcksteiner // Lorenz Pritz http://filmspektakel.com Sounddesign by Alex Clement http://alexclement.at Equipment used: + Sony a7rII + Sony a6300 + 2x Canon 6D + Canon 11-24mm F4 + Canon 24-105mm F4 + Tamron 150-600mm + Tamron 24-70mm F2,8 + Zeiss 24-70mm F4 + Emotimo Spectrum + Pocketslider + Edelkrone SliderPlus + Came TV Single + several tripods from Sachtler, Manfrotto and Togopod _________________________________ Visit our website: http://filmspektakel.at Like us on Facebook: http://facebook.com/FilmSpektakel Follow us on Twitter: http://twitter.com/FilmSpektakel Follow us on Instagram: http://instagram.com/filmspektakel For licensing & inquires please contact us via email: info(at)filmspektakel.at All shots are available in 5K or more!
5月15日
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