Bengal, 19th century. At the edges of the Kali temple, the British India's army led by the implacable W.H.Sleeman is about to wash against the last representants of the ancient stranglers assassin's brotherhood, the Thugs. Kali Mata is a graduation short film made at Georges Méliès school by Pierre Le Couviour, Kévin Roualland, Amine El Ouarti and Privat Fontaine. Pierre Le Couviour : Writing, Story Board, Animation, pierrelecouviour.tumblr.com Kévin Roualland : Art direction, Character Design, Animation, rouaroua.tumblr.com Amine El Ouarti : Color direction, Color background, Compositing, mr-amoon.tumblr.com Privat Fontaine : background design, 2D Layout , Compositing, perfectknockout.tumblr.com Music: Clément Peres Mixing: Olivier Michelot © Ecole Georges Méliès - 2017 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Bengale, XIXe siècle. Aux abords du temple de la déesse Kali, l'armée des Indes britanniques menée par l'implacable W.H.Sleeman, s'apprête à déferler sur les derniers représentants de l'ancestrale confrérie des assassins étrangleurs, les Thugs. Kali Mata est un film de fin d'études réalisé à l'école Georges Méliès par Pierre Le Couviour, Kévin Roualland, Amine El Ouarti et Privat Fontaine. Pierre Le Couviour : Ecriture, Story Board, Animation, pierrelecouviour.tumblr.com Kévin Roualland : Direction artistique, Character Design, Animation, rouaroua.tumblr.com Amine El Ouarti : Direction couleur, Décors couleur, Compositing, mr-amoon.tumblr.com Privat Fontaine : Design décors, Layout trait, Compositing, perfectknockout.tumblr.com Musique: Clément Peres Mixage: Olivier Michelot © Ecole Georges Méliès - 2017
2017年7月3日
Sexy yetis, scientists and neon colours collide in Better Humans: a kaleidoscopic romp through the possibilities of gene editing and body augmentation. As part of a 7-part series commissioned by Massive Science on the lasting impact of Mary Shelley’s Frankenstein. We designed the film entirely with Posca pens on plastic cels, head to our website for some insight on the making of this project: https://www.moth.studio/work/#/better-humans/ Produced, Directed and Designed by Moth Studio Animation: Maria Morris, Keziah Philipps, Knifeson Yu and Moth Studio Compositing: Daniele Baiardini, Keziah Philipps, Ross Plaskow and Moth Studio Featuring Braden Allenby, environmental ethicist and environmental attorney https://sustainability.asu.edu/person/braden-allenby/ Conor Walsh, biomedical engineer https://www.seas.harvard.edu/directory/walsh Sound + Music by Skillbard http://skillbard.com/ A Co-Production of Massive + Plympton https://massivesci.com/ + https://www.plympton.com/ Producer Harriet Bailey http://www.harriet-bailey.com/ Senior Producer Nadja Oertelt http://www.nadjaoertelt.com/ Executive Producers Ed Finn + Bob Beard http://edfinn.net/ + https://csi.asu.edu/people/bob-beard/ Produced for the Frankenstein Bicentennial Project at Arizona State University https://frankenstein.asu.edu/ In partnership with the MIT Press and the MIT Media Lab Supported by the Alfred P. Sloan Foundation Subscribe to Massive https://massivesci.com/newsletters/massive/ Full series can be found here: https://vimeo.com/album/5090081
7月9日
A story about the power of a community working together to make good things. Directed by Fx Goby Commissioned by Google Creatives: Jack Colley, Thomas Manion Creative Producer: Casey Lee Producer: Karen Morris Title: Make Good Things Together Produced at Nexus Studios Producer: Mariano Melman-Carrara, Kirsty Ratcliffe Production Manager: Derek Walsh Production Assistant: Lucy Caetano Art Director: Melanie Climent Designer: Jack Cunningham, James Castillo Murphy Project Lead: Nico Domerego, Dorianne Fibleuil Lead Animator: Lucas Vigroux Lead Lighting: Darren Rolmanis Lead VFX: Hugh Johnson Lead Compositor: Ken Hau Storyboard: Louis Kynd, Will Volley 3D Animation: Lucas Vigroux, Aziz Kocanaogullari, Fabrice Fiteni, Clement Fassler, Edwin Leeds, Remy Herisse, Simone Giampaolo, Ning-En Chang 2D Animation: Samantha Jones, Dani Bethel Rigging: Kasper Larsson, Arthur Ranson Modelling: Dorianne Fibleuil, Corentin Charron, Cesar Eiji-Nunes, Sébastien De Oliveira Bispo, Adam Lindsey, Arnold Pryada, Jerome Ferra, Eder De Souza Texturing: Sophie Blayrat, Sébastien De Oliveira Bispo, Dorianne Fibleuil VFX: Hugh Johnson, Paul Cousins, Gareth Bell, Guillaume Fradin Lighting: Dorianne Fibleuil, Corentin Charron, Darren Rolmanis, Benoit Berthe, Adam Lindsey, Florian Caspar, Sébastien De Oliveira Bispo, Jerome Ferra, Cesar Eiji-Nunes, Paco Rocha, Arnold Pryada, Nicolas Morel. Compositing: Valentin Panisset, Sarah Breakwell, Valerie Guichard, Clarisse Valeix, Lisa Mandelli, Jean-Baptiste Aziere, Bence Varga, Debora Sangermano, Gockcecan Gursoy Art Department: James Castillo Murphy, Samuel Klughertz, Morgan Le Henry, Maxime Dupuy, Slawek Fedorczuk Music: Vulfpeck ‘Animal Spirits’ Countdown Intro: Director: Nicolas Ménard Animators: James Turzynski, Pablo Lozano, Dani Bethel, Amanda Holm Compositor: Daniel Romero Music: Brains&Hunch Editors: Dave Slade, James Alexander, Pablo Noe, Mark Van Heusden Pipeline,Technical Director: Tom Melson, Patrick Hearn IT Support/Systems: Ryan Cawthorne Studio Manager: Natalie Busuttil Assistant Studio Manager: Samira Tristani-Firouzi Audio Post Production: Fonic Dubbing Mixer and Sound Designer: JM Finch Assistant Sound Editor: Rory Hunter Foley recordist: Christopher Swaine Foley Artist: Ruth Sullivan
5月8日