静谧的夜,静谧的音乐,满空繁星,悠悠云海,不愧是VIMEO延时摄影分类中点击量最高的作品。 Follow on: facebook.com/TSOphotography for more photos, videos and updates. This was filmed between 4th and 11th April 2011. I had the pleasure of visiting El Teide. Spain´s highest mountain @(3718m) is one of the best places in the world to photograph the stars and is also the location of Teide Observatories, considered to be one of the world´s best observatories. The goal was to capture the beautiful Milky Way galaxy along with one of the most amazing mountains I know El Teide. I have to say this was one of the most exhausting trips I have done. There was a lot of hiking at high altitudes and probably less than 10 hours of sleep in total for the whole week. Having been here 10-11 times before I had a long list of must-see locations I wanted to capture for this movie, but I am still not 100% used to carrying around so much gear required for time-lapse movies. A large sandstorm hit the Sahara Desert on the 9th April (bit.ly/g3tsDW) and at approx 3am in the night the sandstorm hit me, making it nearly impossible to see the sky with my own eyes. Interestingly enough my camera was set for a 5 hour sequence of the milky way during this time and I was sure my whole scene was ruined. To my surprise, my camera had managed to capture the sandstorm which was backlit by Grand Canary Island making it look like golden clouds. The Milky Way was shining through the clouds, making the stars sparkle in an interesting way. So if you ever wondered how the Milky Way would look through a Sahara sandstorm, look at 00:32. Available in Digital Cinema 4k. Follow Facebook: facebook.com/TSOPhotography Follow Twitter: twitter.com/TSOPhotography Follow Google+: plus.google.com/107543460658107759808 Press/licensing/projects contact: tsophotography@gmail.com Music by my friend: Ludovico Einaudi - "Nuvole bianche" with permission. Please support the artist here: itunes.apple.com/us/album/una-mattina/id217799399
2012年8月3日
这是景观系列的第二部,他将向你展示美丽的亚利桑那和犹他州,其中还有很多标志性建筑。 For licensing footage and work inquires contact me at dustin@dfvc.com. Our company website: dfvc.com. Follow me twitter.com/Dustin_Farrell and facebook.com/dustin.farrell.dfvc. PLEASE WATCH IN HD FULL SCREEN w/SOUND. It is a much better viewing experience. Hopefully you have a 1080P monitor and good connection. If not, bug a friend or colleague that does. It is worth it. Landscapes: Volume 2 is the second of a three part series. Every frame of this video is a raw still from a Canon 5D2 DSLR and processed with Adobe software. In Volume 2 I again show off my beautiful home state of Arizona and I also made several trips to Utah. This video has some iconic landmarks that we have seen before. I felt that showing them again with motion controlled HDR and/or night timelapse would be a new way to see old landmarks. Sales Pitch: I would now have to say that my timelapse skill set is very complete. The amount of knowledge I have gained through research, testing, and shooting experience is astounding. From moon phases to high dynamic range to motion control rigs to noise reduction, you would have a tough time finding someone with more overall knowledge of timelapse. Most of the motion control for this video was done with the Stage Zero Dolly by Dynamic Perception. Once I got comfortable using the DP dolly I fell in love. I can set up shots now in much shorter times. More importantly for me, it is much smaller and much more portable than my homemade motion control. Without it, shots like the Delicate Arch shot in Utah would be nearly impossible due to the length of the hike. Buy the Stage Zero Dolly if you are looking for quality, inexpensive, easy-to-use motion control. dynamicperception.com/ In addition to the Stage Zero, I also used a three axis motion controlled CamTram. The CamTram is the most versatile dolly I have ever used. Its applications are only limited by your creativity. The CamTram has virtually no weight limit. I was able to achieve shots that dolly-in with the camera just over the ground because of the CamTram's ability to hold heavy counter weights. CamTram Motorized Options Video: vimeo.com/30385088 Music is "Sunshine (Adagio In D Minor)" by John Murphy. #15 here: itunes.apple.com/us/album/sunshine-music-from-motion/id297702863 Thank you to the Lowell Observatory in Flagstaff for allowing me to shoot there. They were very friendly and helpful. lowell.edu/ Saving the best for last . . . thanks to my wonderful wife Laura. Not only does she put up with and support this crazy passion of mine, she helped out on many of these shots. I think I'll keep her :-) ENJOY
2012年8月3日
照片是2011年八月至十月,在距离地面350公里的国际空间站上拍摄的,前所未有的视角! Time lapse sequences of photographs taken by the crew of expeditions 28 & 29 onboard the International Space Station from August to October, 2011, who to my knowledge shot these pictures at an altitude of around 350 km. All credit goes to them. Full HD, refurbished, smoothed, retimed, denoised, deflickered, cut, etc. All in all I tried to keep the looks of the material as original as possible, avoided adjusting the colors and the like, since in my opinion the original footage itself already has an almost surreal and aestethical visual nature. Music: Jan Jelinek | Do Dekor, faitiche back2001 w+p by Jan Jelinek, published by scape Publishing / Universal janjelinek.com | faitiche.de Image Courtesy of the Image Science & Analysis Laboratory, NASA Johnson Space Center, The Gateway to Astronaut Photography of Earth eol.jsc.nasa.gov Editing: Michael König | koenigm.com Shooting locations in order of appearance: 1. Aurora Borealis Pass over the United States at Night 2. Aurora Borealis and eastern United States at Night 3. Aurora Australis from Madagascar to southwest of Australia 4. Aurora Australis south of Australia 5. Northwest coast of United States to Central South America at Night 6. Aurora Australis from the Southern to the Northern Pacific Ocean 7. Halfway around the World 8. Night Pass over Central Africa and the Middle East 9. Evening Pass over the Sahara Desert and the Middle East 10. Pass over Canada and Central United States at Night 11. Pass over Southern California to Hudson Bay 12. Islands in the Philippine Sea at Night 13. Pass over Eastern Asia to Philippine Sea and Guam 14. Views of the Mideast at Night 15. Night Pass over Mediterranean Sea 16. Aurora Borealis and the United States at Night 17. Aurora Australis over Indian Ocean 18. Eastern Europe to Southeastern Asia at Night
2012年8月3日
感受纯净的世界,五彩缤纷的景致,延时摄影中的极品之作,北极那片净土美不胜收! Follow me on facebook.com/TSOphotography for more photos, videos & updates. This was filmed between 29th April and 10th May 2011 in the Arctic, on the archipelago Lofoten in Norway. My favorite natural phenomenon is one I do not even know the name of, even after talking to meteorologists and astrophysicists I am none the wiser.What I am talking about I have decided to call The Arctic Light and it is a natural phenomenon occurring 2-4 weeks before you can see the Midnight Sun. The Sunset and Sunrise are connected in one magnificent show of color and light lasting from 8 to 12 hours. The sun is barely going below the horizon before coming up again. This is the most colorful light that I know, and the main reason I have been going up there for the last 4 years, at the exact same time of year, to photograph. Based on previous experience, I knew this was going to be a very difficult trip. Having lost a couple of cameras and some other equipment up there before, it was crucial to bring an extra set of everything. I also made sure I had plenty of time in case something went wrong. If you can imagine roping down mountain cliffs, or jumping around on slippery rocks covered in seaweed with 2 tripods, a rail, a controller, camera, lenses, filters and rigging for 4-5 hour long sequences at a time, and then having to calculate the rise and fall of the tides in order to capture the essence - it all proved bit of a challenge. And almost as if planned, the trip would turn out to become very difficult indeed. I had numerous setbacks including: airline lost my luggage, struggling to swim ashore after falling into the Arctic sea: twice, breaking lenses, filters, tripod, computer, losing the whole dolly rig and controller into the sea, and even falling off a rather tall rock and ending up in the hospital. As much as I wanted to give up, the best way Out is always “Through”. I am glad I stuck it through though because there were some amazing sunrises waiting. At 1:06 you see a single scene from day to night to day which is from 9pm to 7am. Think about that for a minute.. 10 hours with light like that. I asked the very talented Marika Takeuchi to specifically compose and perform a song for this movie, and what she came up with is absolutely remarkable. Thank you very much Marika! Available in Digital Cinema 4k Follow Facebook: facebook.com/TSOPhotography Follow Twitter: twitter.com/TSOPhotography Follow Google+: plus.google.com/107543460658107759808 Press/licensing/projects contact: tsophotography@gmail.com Music: "The Arctic Light" by Marika Takeuchi on.fb.me/kOezbO Buy it on iTunes itunes.apple.com/us/album/the-arctic-light/id445751308?i=445751313 huffingtonpost.com/2011/06/01/arctic-light-time-lapse-video_n_869054.html
2012年8月3日
美国约塞米特国家公园。美不胜收的自然风光,夕阳西下的繁星思点点,朝阳初升的灿烂明媚尽收眼底! This video is a collaboration between Sheldon Neill and Colin Delehanty. All timelapses were shot on the Canon 5D Mark II with a variety of Canon L and Zeiss CP.2 Lenses. Project Yosemite Website: projectyose.com Facebook Page: facebook.com/projectyose Twitter: twitter.com/projectyose Contact info: info@projectyose.com Thanks to Dynamic Perception for their motion controlled dolly and continued support! Purchase gear used in this video here: dynamicperception.com/#oid=1004_1 Dynamic Perception Website: dynamicperception.com Track: Outro Album: Hurry Up, We're Dreaming Artist: M83 Site: ilovem83.com Publishing: emimusicpub.com Licensing: bankrobbermusic.com This whole project has been an amazing experience. The two of us became friends through Vimeo and explored a shared interest in timelapsing Yosemite National Park over an extended period of time. We'd like to expand this idea to other locations and would appreciate any suggestions for a future project. Project Yosemite was featured as a main story on Yosemite National Park's Spring Newsletter.: yosemitepark.com/timelapse-sprnews-2012.aspx To view this in 2K, visit: youtu.be/OwFbjJasW3E Be sure to change the quality settings to 'Original'. Twitter: twitter.com/#!/SheldonNeill twitter.com/#!/delehanty Facebook: facebook.com/sheldon.neill facebook.com/delehanty Behind The Scenes: vimeo.com/35223326 By Dalton Runberg Our hearts go out to the families of Markus Praxmarer who lost his life while climbing Half Dome on September 19th, 2011 and Ranger Ryan Hiller, who was crushed by a tree January 22nd 2012. They will be missed. (A photo of Ranger Ryan Hiller can be found to the right, above the statistics counter)
2012年8月3日
超多两个星期的拍摄,全方位向你展示冰岛的魅力的自然风光! See the new behind the scenes video: vimeo.com/49233570 Like us on Facebook: facebook.com/evosiastudios Follow us on Twitter: twitter.com/evosia Website: evosiastudios.com A joint collaboration with rock / ambient / experimental band MONO (monoofjapan.com), Legend takes you on an epic 12 minute visual and aural journey through Iceland's breathtaking landscapes during the time of the midnight sun. The film travels across Iceland, from the floating blue icebergs of Jokulsarlon's glacial lagoon to the steaming geothermic vents of Myvatn, the colorful mountains of Landmannalaugar to the breathtaking sunsets on Snaefellnes Peninsula, and the barren volcanic landscapes of Askja to the vast fields of lupin near Husavik. Legend was shot over a 2 week period in June 2012 when the sun barely sets below the horizon and you never see darkness. It was filmed completely in 5K resolution using Canon full frame DSLRs on motion timelapse equipment from Kessler Crane. Mono's score of the same name, Legend, is from their upcoming album "For my parents". Its edgy cinematic and epic quality helps describe Iceland - a breathtakingly beautiful yet unforgivingly dangerous place. The album is available for pre-order: monoishere.com/2012/07/30/pre-order-for-my-parents-now/ We would like to thank the following supporters for making this film possible: Kessler Crane: KesslerCrane.com Glacier Rental Car: glaciercarrental.is Special thanks to Egill Agustsson and Adalsteinn Petur Karlsson of Husavik for their help with my car problems on Iceland National Day. It's the country's biggest holiday and they helped me get back on the road so I could continue filming. Last but not least, a big thank you to fellow filmmaker Joe Capra (scientifantastic.com) for his guidance and inspiration. His tips and advice were invaluable in helping me prepare for this trip. A 4K version will be released soon! Please follow or subscribe to us to receive the latest updates.
2012年8月9日
绿草蓝天 如诗如梦的约塞米特国家公园究竟是一番怎样的美轮美奂?让我们一同回到最美的自然中去。 Two months ago we set out for a weeklong trip to Yosemite National Park. Inspired by Sheldon Neill, Colin Delehanty (Yosemite) and naturally Tom Lowe (TimeScapes), I got hold of a Stage Zero Timelapse Dolly so I could try to take a few time-lapse shots of the breathtaking landscape in the park. I soon discovered that one week is not nearly enough time for a meaningful project and therefore decided to make my time-lapse debut at home in the Ore Mountains in the Czech Republic, in the very heart of Europe. Nearly every day for the entire summer I set off with my camera to the local mountains to try to capture moments that we don't ordinarily perceive as anything special, but which are in their very essence quite exceptional. Thanks to this project, this summer was filled with the most meaningful experiences -- and I never had to leave my country. I discovered some beautiful spots I hadn't known before; I was often in the wilderness before the break of dawn, saw many animals in their natural habitat, witnessed stunning sunsets and fled looming storms with my equipment over my shoulders. I didn't manage to capture everything as I would have wanted, but I came away with several good catches such as the swift approach of a mountain storm and a Perseid meteor shower from the comet Swift-Tuttle, which passes the Earth once every 130 years. If you enjoy this video, please share it with your friends. I would also be grateful for your comments. Thank you. Director, cinematographer, editor: Roman Nemec Music composers: Jonathan Geer & Jonathan Adamich (licenced by NEO Sounds LLC) Filmed by Canon EOS 5D Mark II in the Ore Mountains (Czech Republic), 2012 July / August Stage Zero Timelapse Dolly by Dynamic Perception A video website & free download: romannemec.cz/text-my-country-my-time Facebook profile: facebook.com/romannemec.cz
2012年9月14日
严格地说这并不是一部延时作品,但是这绝对是一部视觉饕鬄盛宴,航拍,升格,延时一应俱全!挑战自己,超越自己! All.I.Can. on iTunes HD: itunes.apple.com/us/movie/sherpa-cinema-all-i-can/id470509338 All.I.Can. on DVD and Blu-ray: sherpascinema.com Thanks for your support!! All.I.Can Awards: "MOVIE OF THE YEAR" - Powder Video Awards 2012 "BEST FILM" - X-Dance Film Festival, SLC 2012 "BEST PICTURE" - International Freeride Film Festival, France 2011 "BEST FEATURE-LENGTH MOUNTAIN FILM" - Banff Mountain Film Festival 2011 "BEST FILM OF THE YEAR" - Adventure Film Festival, Copenhagen 2011 "PEOPLES CHOICE" and "BEST SKI FILM" - Fernie Film Festival, BC 2011 "BEST SKI FILM" - Adventure Film Festival, Boulder 2011 "2012 CINEMATOGRAPHY AWARD" - Mountain Film Festival, Telluride CO "BEST CINEMATOGRAPHY" - ESPN Fan Favorites 2011 "BEST CINEMATOGRAPHY" - International Freeride Film Festival, France 2011 "BEST CINEMATOGRAPHY" - X-Dance Film Festival, SLC 2012 "BEST DOCUMENTARY" - IF3 Film Festival Montreal 2011 "MOST INNOVATIVE VISUAL FX" - IF3 Film Festival Montreal 2011 "AMBASSADOR OF GREEN" - X-Dance Film Festival, SLC 2012 "FULL THROTTLE AWARD" - Kye Petersen, Powder Video Awards 2012 "BEST NATURAL AIR" - Kye Petersen, Powder Video Awards 2012 "BEST POV" - JP Auclair, Powder Video Awards 2012 "BEST EDITING" - Powder Video Awards 2012 Press reviews: "The best movie in skiing." - Jamey Voss, ESPN es.pn/pPxkbQ "Like listening to a Zeppelin song." - John Stifter, Powder Magazine: bit.ly/nl0JiT "The Sherpas are firmly in the lead of a new wave of filmmakers that are changing the face of ski films for good." - Leslie Anthony, Skier Magazine: bit.ly/mVaYsy "By the end, as I headed out from the screening, trying to walk straight after being pummeled by what I had seen, the only thought going through my head was that the trailer did not do its movie justice." - Mark Quail, skistarmovies.com/review/all-i-can See All.I.Can Teaser 2 --> vimeo.com/29320702 See All.I.Can Teaser 3 --> vimeo.com/31835595 The Sherpas are proud to present All.I.Can: a two-year feature film project that fuses our passions for riding and exploring the mountains with our potential to help the environment. The film strives to unite global mountain culture and bind us together as the leaders of a revolution. We must be inspired to do all we can for the environment, and we must learn how to take that first tiny step in the right direction. Multi-award winning Directors Dave Mossop and Eric Crosland journey to Chile, Morocco, Alaska, BC and beyond with riders Kye Petersen, Mark Abma, Eric Hjorleifson, JP Auclair, James Heim, Chris Rubens, Mike Douglas, Dana Flahr, Rory Bushfield, Ian McIntosh, Lynsey Dyer, Alexi Godbout, Matty Richard, Chad Sayers and more. Music: The Tempest, Pendulum. facebook.com/sherpascinema Thanks for joining us.
2012年11月7日
在美国怀俄明州杰克逊小镇的冬日里,白雪覆满山头,又是一个滑雪的好日子,让我们跟随作者,一同感受大自然的魅力! This mountain is like nothing you have skied before! Spend a day riding the tiny tram and shredding miniature backcountry lines in Jackson Hole. Be sure to let 'er load completely and watch in fullscreen HD. See more work at tristangreszko.com -Winner of the 2011 New Belgium Clips of Faith Film Contest/Tour -Appeared on Wired.com, TheAtlantic.com, OutsideOnline.com and numerous other nat'l/int'l websites -Chosen for the Wyoming Filmmaker's Showcase during the 2011 Wildlife Film Festival in Jackson, WY -Appeared on Japanese TV - NHK show Tokudane Toko Doga -One of JH Weekly's 2011 Newsmakers of the Year -Featured by Vimeo during Winter X Games 2012 -Featured in Best of Vimeo Shorts: Lights! Camera! Action Sports! at SXSW 2012 -Finalist in the 2012 Wyoming Short Film Contest -Featured at Vimeo's 2013 Sundance Film Festival Party UPDATE 31 Oct 2011 - Video re-uploaded to include a few re-edited scenes. Music: Pretty Lights - Change Is Gonna Come Pretty Lights - Pink Floyd Time Remix - prettylightsmusic.com Under license from Pretty Lights Music, Inc. Cameras: Canon 7D and 5D mkII Lenses: 17-40 f/4L, 50 f/1.4, 70-200 f/4L All sequences are animated 7D or 5D mkII stills - effects applied to each frame in post-production using Alien Skin Bokeh 2 in Photoshop, image stabilization and deflicker (using GBDeflicker) in After Effects, and frame motion in Final Cut.
2012年11月7日
Town of Ghosts,并非中文意义上的“鬼镇”,它指的是一整个因为经济、环境种种因素,而被荒废、放弃居住的城镇。从意蕴上来讲,跟偏向与中文中的“废墟”。 Johnny Cash苍凉沉郁的男低音,拉开了本片的序幕。曾经的淘金小镇,历经岁月的变迁,褪去了过去的荣光。黑夜里的星辰起落复又黯淡,白昼中的云朵渐起聚又离散。干燥的木材,生锈的钉子,和破旧的砖石,那一些细节让我们感受到这一座小镇就这样在时光中静静地衰老。 延时摄影本就适合表现时光的力量,再加上黑白对比带来的强烈质感,小镇似乎不再是呆板的建筑,它仿佛变成了一个长者,将一个关于过去的故事向我们娓娓道来。 所以,无需再多说。我们只需要在音乐与光影中,静静地去感悟时光的力量。 More videos and licensing/shooting information can be seen at deer-dog.com Follow me here: Facebook: facebook.com/colinrich1 Instagram: instagram.com/heyitsmecolin Twitter: twitter.com/HeyItsMeColin Direction and Cinematography by Colin Rich: (facebook.com/colinrich1) Assistant Camera: Mark Bernal (facebook.com/mark.s.bernal?fref=ts) Music by Johnny Cash 'Wayfaring Stranger' off American III: Solitary Man itunes.apple.com/us/album/american-iii-solitary-man/id3485621 Town of Ghosts Bodie is by far the best preserved ghost town in the United States. Gold was discovered back in 1859 by William S Bodey and at its apex, the town had a population of 10,000 residents through the 1880's. Bodie was replete with the makings of old west folklore; gunfighters, saloons, miners, gambling halls and prostitutes, a rough place through and through. But the town's success didn't last and faded from 'glory' prior to World War I and was finally down for the count during WWII once all mining operations were halted due to the war effort. It was effectively abandoned with many of the structures retaining the inhabitants belongings because the roads out were toll and weight based; many people simply decided to leave their belongings behind to avoid large fees so the ghost town was born. Today, after two fires, around 100 structures remain, (5% of the original town) some of which are filled with furniture, lined and matted with layer up on layer of rotting and sagging wallpaper. Some buildings are seemingly untouched time-capsules to the once treacherous lives of the miners and other inhabitants of the town. Kids toys sitting by the window, a ball peen hammer on the ground, strewn gears in a machine shop, and rusted hangers hanging in a closet. Walking the grounds, particularly the cemetery, I was overcome with a sense of foreboding and the gentle but incessant march of time continuing on. The once important lives buried under a wood tombstone were all but forgotten and those now nameless people who were loved or loved others, brothers, fathers, sisters and mothers, almost never existed unless you look at the uneven ground at a certain angle in the perfect light. We spent a week shooting with access to some of the interiors of the buildings, and the ability to shoot at night. Because it is located in the Sierra Neveda and its unique geography and high elevation, the weather was quite extreme and could change in a matter of minutes; most nights were very cold and the temperature often sat in the low teens and were mixed with snow, wind, and icey rain. Bodie is kept in a state of "arrested decay" and hangs (sometimes literally) in a sort of desolated limbo, as the dry lumber, rusted nails, and worn masonry, slowly give into the sands of time. Special Thanks to Ranger Tom Gunther. Thank you for your help!!! Thanks to Matthews MSE, (Tyler, Bob, Ed) for helping me with some last minute requests and their use of the DC Slider and dolly track.
2012年12月25日
当神秘莫测的北极光在冰岛上演,现代文明与自然力量的巧妙碰撞,又会是怎样一番美轮美奂呢? Ok folks, this is it. Here is my first video project. It is a video of the Northern Lights created using stills (stop motion). All sequences are shot in or close to Tromsø in Northern Norway. I have spent over 6months collecting footage for this, I have shot approx 50.000 stills to choose from in making this video. A goal for me has been to try to preserve the real-time speed of the northern lights, or come as close as possible, and present it the way I experienced it, instead of the northern lights just flashing over the sky in the blink of an eye. It may work on other time-lapse videos with fast moving clouds and sunsets etc, but with the northern lights in focus, it should be presented in it's true speed to reflect her beauty, imo. In the video I have put together a collection of slow moving auroras in the woods, over the mounatins, in the city, in the foreshore, reflected in the sea, with some of the most spectacular and strongest auroral outbreaks seen in many years. Included here is a coronal outbreak, in which I am particularly happy to present, since it is very difficult to get on stills, even worse on "film". I got a fantastic soundtrack made for the video by local musical talent in Tromsø; Per Wollen. A Huge thanks goes to you Per obviously! The audio track "Aurora in the sky" can be found on iTunes. A huge thank goes to Jay and dynamicperception.com/ for making the most awesome timelapse gear available, and who made some of the sequences in this video possible! The video shown here on Vimeo is 1280x720. It may be also available in 1920x1080 and Digital Cinema HD 4K. Contact me for higher resolution. Video may not be used commercially or public without permission. Footage has been prepared for viewing in sRGB color space since this is the space most people use. Hence wide gamut displays may display colors wrong, especially green ones which the aurora mostly appears in, since the most clipping in color space when downscaling to sRGB is done in the green color area. Hope you like the video, more info about me: facebook,com/arcticlightphoto.no flickr.com/photos/salomonsen/ arcticlightphoto.no Follow me on facebook: facebook.com/arcticlightphoto Gear used to put this together: Canon EOS 5D Mark II Canon EOS 7D Canon EF 24 L 1.4 Mark II (My precious) Canon EF 16-35 L 2.8 Mark II Samyang 14mm 2.8 Nikon 14-24 2.8G AF S Tokina 11-16 2.8 Meade DS-2000 w 497 Autostar Dynamic Perception Stage Zero Dolly/Rail w MX2 Best regards Ole
2013年2月27日